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IDIOSYNCRASIES OF CONDUCTING
THE SCIENCE OF THE ORCHESTRA
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1st Movement 2nd Movement 4th Movement accents achieved Adagio Allegro articulation attack bass Bassn bassoon Beethoven beginning brass breathing Bruckner Busoni cadence caesura carried celli Chamber-music chord clarinet climax Concerto conducting conductor crescendo crotchet Dante Symphony decrescendo downbeat endbeat entry Eulenspiegel example flute fourth bar harmonic Hindemith horn Illrd Symphony impelling motion important indications instruments intensity IXth Symphony J J J J L'Histoire du Soldat left hand legato Mahler marked melody metre metric motif Mozart notes oboe Overture Pacific 231 passage patterns pause percussion performance phrase Piano pitch pizzicato players playing portato possible Pulcinella quaver Reger represent rhythm rhythmic right hand rise Scherzo second bar second violins semiquavers singing sonority staccato staccato beats starting-point Stravinsky strings stroke student Symphonic Prologue Symphony Allegro technical technique tempo third bar timpani tone Trom trombones Trpt trumpets tuba Turandot upbeatwise vibrating violas Vllth Symphony Weber woodwind