Hands Across the Sea

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Samuel French, Inc., 2010 - Drama - 33 pages
1 Review
Comedy / Characters: 6 male, 3 female

Scenery: Interior

One of the "Tonight At 8:30" series produced in London and New York. Lady Gilpin (Piggie) is so busy with social duties and gossip that she has no time for coherent thinking. She is set aflutter when her drawing room is suddenly filled with her husband's naval conferees, blueprint delivery boys and dumpy Mr. and Mrs. Wadhurst from the Far East, who flighty Piggie mistakes for the Rawlingsons. The Wadhursts overhear intimate phone conversations, are stumbled over, spilled upon and completely ignored before Piggie finally gets it straight.


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User Review  - AliceAnna - LibraryThing

A very funny one-act sending up the flighty social elite. Read full review

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About the author (2010)

In 1964, when Hay Fever (1925) was placed in the repertory of the newly organized National Theatre, Noel Coward professed to be grateful: "Bless you for admitting that I'm a classic." A week-long series of Coward played on BBC television in 1969; there have been major revivals in London and New York; plays long out of print have been republished in popular collections. At the start of the 1960s, though, Coward's reputation had been at an ebb, as he skirmished with the angry new drama. Coward had enjoyed no big success since Blithe Spirit of 1941. There have been attempts to assimilate the rehabilitated Coward to contemporary drama. Coward himself profited from the new freedom when, in 1965, his Song at Twilight discussed homosexuality, a subject that he had evaded throughout his career. A juvenile prodigy, Coward was by turns actor, director, composer, lyricist, autobiographer, and author of nearly 60 theater pieces. He even wrote screenplays, notably for In Which We Serve (1942) and Brief Encounter (1946). Although he specialized in light comedy, the so-called comedy of manners, he worked in many forms including patriotic spectacle, revue, musical, farce, even the problem play. Hay Fever, Blithe Spirit, and Private Lives (1930) have proved to be the most durable of his comedies, along with nine short plays presented as Tonight at 8:30. In each, characters demonstrate the combination of perpetual role playing, cool hedonism, and energizing self-absorption.

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