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Foreword by Jane P Dwyer
Introduction by George P Horse Capture
Stylistic Analysis of Plains
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ankle Arapaho Assiniboin attached bands bead design beadwork bison Blackfoot bottom bowl buffalo Catlin Catlinite Central Plains Cheyenne cloth cm Collected cm fringe collected before 1930 colors Comanche cradle Crow cuff Dakota Tribes Dance dark blue decorated Diam dress eagle early twentieth century edge exchange with George feathers flaps floral fully beaded George Heye glass seed beads Haffenreffer hair Hidatsa horse horsehair Indian inserted Kiowa lazy stitch leggings MAI/HF Mandan medium green metal cones moccasins motifs Museum narrow native Native American Native-tanned deerskin Necklace Northern Plains Ojibwa one-quill overlay stitch painted parfleche pattern pieces pink pipe Plains Cree Plains Ojibwa porcupine quills quills rawhide rectangular RH exchange rows saddle second half nineteenth sewn shape shirt side sinew sinew-sewn skin sleeves soumak Southern Cheyenne stem straight strips style Teton Dakota thong tipi trade translucent triangles two-thread upper white background white-core rose wrapped yellow