Haunting Violations: Feminist Criticism and the Crisis of the "real"

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Wendy S. Hesford, Wendy Kozol
University of Illinois Press, 2001 - Social Science - 292 pages
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Feminist critics place a premium on the "real" stories told by the victimized and the oppressed. Haunting Violations offers a corrective to such uncritical acceptance of the "real" in confessional, testimonial, and ethnographic narratives. Through close readings of a wide variety of texts, contributors argue that depictions of the "real" are inherently performative, crafted within the limits and in the interests of specific personal, political, or social projects.Haunting Violations explores the inseparability of discourse and politics in quasi-autobiographical works such as I, Rigoberta Mench and When Heaven and Earth Changed Places. Contributors consider how the Sri Lankan Mother's Front movement exploits the sanctity of the maternal and how multiple political purposes on both sides bleed through government "documentary" photographs of Japanese-American concentration camp internees. This volume also investigates how South Asian feminists use the authority of their personal experience to critique the film Mississippi Masala and how realist narratives, such as Janet Campbell Hale's autobiographical Bloodlines, Margie Strosser's documentary film Rape Stories, and Shekur Kapur's film Bandit Queen, reexamine how assumptions about power and trauma are embedded in the promise of the real.

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Contents

Material Rhetoric and the Trauma of Representation
13
A TransNational Feminist
47
An Indian Woman in Guatemala
76
Copyright

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About the author (2001)

Hesford is assistant professor of English at Indiana University.

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