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Hals Desire Shakespeares Idaho
Bakhtins Theory of Utterance and
The Future of History in Henry IV
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action actually aesthetic allegory assumption audience Bakhtin baroque Benjamin 1973b Brecht character Chimes at Midnight chronicle claim context critical crown cultural desire dialogic discourse distinct dramatic Eastcheap Elizabethan Empson English epic theatre essay Eve Kosofsky Sedgwick fact Falstaff father Foucault gender Greenblatt Hal's Harry Henry IV plays Henry V's Henry's hermeneutics heteroglossia heterosexuality history of sexuality History play Holinshed homosexual homosocial Hotspur idea ideology Jameson Jonathan Goldberg king king's language linguistic literary literature male-male meaning Mike modern Morgann narrative natural never NIGEL WOOD Oldcastle parody persona Poins political possibilities Prince Private Idaho production question reading rebellion rebels relations Renaissance Richard Richard II role royal scene second tetralogy seems sense Shakespeare social sodomy sonnets speak speaker speech stage structure suggests tetralogy textual theatrical theory things thou Tillyard's tion Trauerspiel utopian utterance Voloshinov word