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Foreword Sir Norman Reid
3 other sections not shown
1971 a Drawing 1st state etching achieved acid aquatint archive artist autographic bottom burin burnished calligraphy chalk and wash chiaroscuro collage collograph collotype colour plate added colour separations crayon and wash created Curwen Studio Direct Eye drypoint Elephant Skull Frelaut Ganymed gift grease Hadham hand colouring Helmet Heads HENRY MOORE graphics Ideas for Sculpture incisions intaglio left-hand figure Lithographic trial proof medium Merlyn Evans metal method Mitchinson Montval nitric acid opposite page top oppositepage left overprinted painting pen and wash pen drawing pen exercises photopositive portfolio Print Department printer printmaking rdtroussage Recl1n1ng F1gures Rembrandt retouched detail retouched with pen River Background Rock Background School Prints Seated Figures Seventeen Reclining Figures sheet Six Sculpture Motives Spanish Prisoner Square Forms Stand1ng F1gures Standing Figures Stanley Jones stone Stonehenge suggest surface tone Tall Figures Tate Gallery three-dimensional space tiny transfer paper Turning Figure wash additions wet-in-wet Woman Holding Cat yellow