Hermeneutics and Medieval Culture
This study explores the art of interpretation in works of history, art, music, and literature from the medieval period. The authors demonstrate that the search for meaning was a primary concern of medieval authors and that the history of medieval thought from Augustine to Aquinas and Ockham illustrates the dialectic of question and answer that is the foundation of hermeneutics. This study is the first to offer a diversity of hermeneutic approaches and themes in the context of medieval works.
The study s interdisciplinary approach to the medieval works considered invites analysis from scholars and critics in all areas of medieval studies. The breadth of scope in addressing the art of interpretation in the various disciplines also provides a valuable general introduction to medieval culture.
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Interpreting the Fragment
The Logistics of Access
Chaucer Juan Ruiz
Interpretative Models for the Peasants Revolt
Knighthood and Two Models
Tudor Concepts of the Middle Ages
The Grammatical Model of Musical Understanding in
On the Interpretation of Modi quos abusive tonos dicimus
the Verse Inscriptions of Ste Foy
Andreas and the Formula in Transition
Two Old English Poems in Their
I7 The Authority of Elde in The Parlement of the Thre Ages
Percys Use of the Metrical
FrancoGerman Conﬂict and the History of French
Some Uses of Etymology in the Reading of Medieval
Approaches and Examples in the Study
William Mendel Newman
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aesthetic alliterative Andreas Anselm antiphon astrolabe audience ballads Bego Beowulf Bernard Boethius Canterbury Tales Chaucer Christ Christian Conﬂict Conques context criticism Dante deﬁned difﬁcult edition Elde Elfric essays example ﬁg ﬁgure ﬁnal ﬁnd ﬁrst ﬁve formula France French Gawain Gerhoch grammatical half-line hermeneutic hermeneutic gap historians homiliaries inﬂuence inscriptions interpretation knights language Latin leonine lines literary London manuscript meaning medieval meditant Meditationes melodies metrical Meyer Schapiro Middle Ages Middle English modern modus Musica enchiriadis narrative Newman notes Old English Old English poetry Oxford Paris Percy Percy’s pitch plainchant poem Poema poet poetic poetry prayer present psalm tone reader reﬂect Reliques Roland romances Romanesque Romanesque Art scholars Scolica enchiriadis Scripture sense signiﬁcance Song of Roland speciﬁc stressed structure style syllables Tale theory tion tone tonus tradition treatise Tudor tympanum understanding University Press verses words writing York