Hippolytus the Bacchae: Webster's French Thesaurus

Front Cover
Icon Group International, Incorporated, 2006 - Foreign Language Study - 168 pages
0 Reviews
If you are either learning French, or learning English as a second language (ESL) as a French speaker, this book is for you. There are many editions of Hippolytus The Bacchae. This one is worth the price if you would like to enrich your French-English vocabulary, whether for self-improvement or for preparation in advanced of college examinations. Each page is annotated with a mini-thesaurus of uncommon words highlighted in the text. Not only will you experience a great classic, but learn the richness of the English language with French synonyms at the bottom of each page. You will not see a full translation of the English text, but rather a running bilingual thesaurus to maximize the reader's exposure to the subtleties of both languages.

What people are saying - Write a review

We haven't found any reviews in the usual places.

About the author (2006)

Euripides, one of the three great Greek tragedians was born in Attica probably in 485 B.C. of well-to-do parents. In his youth he cultivated gymnastic pursuits and studied philosophy and rhetoric. Soon after he received recognition for a play that he had written, Euripides left Athens for the court of Archelaus, king of Macedonia. In his tragedies, Euripides represented individuals not as they ought to be but as they are. His excellence lies in the tenderness and pathos with which he invested many of his characters. Euripides' attitude toward the gods was iconoclastic and rationalistic; toward humans-notably his passionate female characters-his attitude was deeply sympathetic. In his dramas, Euripides separated the chorus from the action, which was the first step toward the complete elimination of the chorus. He used the prologue as an introduction and explanation. Although Euripides has been charged with intemperate use of the deus ex machina, by which artifice a god is dragged in abruptly at the end to resolve a situation beyond human powers, he created some of the most unforgettable psychological portraits. Fragments of about fifty-five plays survive; some were discovered as recently as 1906. Among his best-known plays are Alcestis (438 B.C.), Medea and Philoctetes (431 B.C.), Electra (417 B.C.), Iphigenia in Tauris (.413 B.C.), The Trojan Women (415 B.C.), and Iphigenia in Aulis Iphigenia (c.405 B.C.). Euripides died in Athens in 406. Shortly after his death his reputation rose and has never diminished.

Bibliographic information