Hokusai's Project: The Articulation of Pictorial Space
This important new study on the great ukiyo-e artist Katsushika Hokusai is not so much about who he was or what he did, but rather an in-depth appreciation, involving close examination of some forty-four Hokusai prints, of why his works appear in the way they do and how he evolved his own unique artistic style. Although a prolific artist, the focus is mostly on his later woodblock prints when his distinctive style, today recognized worldwide, became fully crystallized. Like so many of his contemporaries, faced with the same challenges of social, aesthetic, personal and contractual limitations, how was it that the ‘Hokusai style’ or methodology emerged, and why was it so successful? The book opens with a discussion on how Hokusai broke with the pictorial habits of ukiyo-e, which then leads into an examination of three main themes: How Hokusai learned his trade; Hokusai, Mount Fuji and the articulation of pictorial space, and Hokusai – flowers, poets and aesthetic detachment. In addition to a select bibliography, the book is supported by a valuable glossary of artistic terms.
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Academy of Arts actor album applied architectural arrangement artists blocks bokashi bridge brushwork Chushingura colour complex construction contrived conventions curves detachment devices diagonal distance drawing Dunedin Public Art earlier edge Edmond de Goncourt established example figure groups flat foliage foreground Forrer Fugaku hyakkei Fuji Fuji genre Goncourt Honolulu Academy horizontal Hundred Poems Hundred Views Hyakunin isshu isometric projection Japan Japanese kabuki Kanadehon Chushingura Kano Kano school Katsukawa school kyoka landscape Lane layers Lin Yutang linear lower right middle-ground mist Mount Fuji mountain Mt Fuji naturalistic oban woodblock print overlapping painters perspective pictorial depth pictorial space picture plane pigment Plate Poets Public Art Gallery repetitions representation Rimpa Sagami Province Santo Kyoden scene sense sequence series Fugaku sanju-rokkei Shunsho Soshu spatial structural style subjects surimono Suruga Province tension Thirty-six Views three-dimensional tion Tokaido tonal Tosa Tosa school trees ukiyo-e vertical viewer Views of Mount Western Western-style yamato-e zone