Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Kapra, and KazanIn this lively and original book, Sam Girgus offers a fresh look at films such as The Searchers, Mr. Smith Goes to Washington, It's a Wonderful Life, High Noon, and On the Waterfront and shows how they are part of the cultural and historic debate that examines, structures, and questions what modern America means to its people, the world, and history. |
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Índice
John Ford and the Crisis | 19 |
Frank Capra | 56 |
From Ford to Hawks | 108 |
Elia Kazans Long Journey Home | 155 |
George Stevens and the American Idea | 177 |
Film and America after the Hollywood | 210 |
Notes | 229 |
Filmography | 248 |
Outras edições - Ver tudo
Hollywood Renaissance: The Cinema of Democracy in the Era of Ford, Kapra ... Sam B. Girgus Pré-visualização indisponível - 1998 |
Palavras e frases frequentes
achieve action aesthetic American authority becomes beginning belief body Capra character cinema classic Clift complexity concerns consensus construction continues create critics culture death democracy democratic desire direction directors discussion Dunson emotional emphasizes Ethan experience expression face failure feelings figure film film's forces Ford Ford's frame gender George George's Hawks hero High Noon Hollywood Hollywood Renaissance idea ideals identity ideology important Indian individual involves John Kazan kind look male Mary masculinity meaning moral narrative notes opening Paine played political position Press psychological Puritan reality relates relationship remains Renaissance renewal represent River role Saunders says scene Searchers seems Senate sense sexual shot Smith social society Stevens Stewart story structure suggests takes tension Terry tion transformation turns University values vision visual Warner Bros Wayne Wayne's woman women Wonderful writes York
Referências a este livro
From Antz To Titanic: Reinventing Film Analysis Martin Barker,Thomas Austin Visualização de excertos - 2000 |
From Antz To Titanic: Reinventing Film Analysis Martin Barker,Thomas Austin Visualização de excertos - 2000 |