How to Modulate: A Simple and Systematic Guide in Modulating from Any Key to Any Other and a Review of the Principles of Artistic Modulation as Applied in General Composition
Discusses the political instability in the Caucasian states of Georgia, Armenia, and Azerbaijan.
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How to Modulate: A Simple and Systematic Guide in Modulating From Any Key to ...
Frank Hartson Shepard
No preview available - 2017
How to Modulate: A Simple and Systematic Guide in Modulating from Any Key to ...
F. H. Shepard
No preview available - 2017
5th accidentally lowered A]ofV Artistic Modulation Attendant chords Augmented 5 chord Augmented Six Five Augmented Sixth chords Chap Chapter chord is derived chord resolves Chromatic Sequence Closing Formula common note Compound Modulation connecting note consecutive Fifths desired key different keys Diminished Seventh chord Dominant 7th Dominant and Tonic Dominant chord Dominant harmony Dominant Seventh chord enharmonic writing example False Cadence feeling of Tonality foreign key form of Dominant harmonic structure illustrated Interpolated keys interval key New key key of F leading note Let us modulate Major 3rd Major or Minor Minor 9th Minor Ninth Minor triad Modulation by Means Music natural resolution original key passing Primary chord progression Relative keys second chord second inversion second theme semitone higher sequence of Diminished Seventh degree sharp shown in Fig shows student succession of chords Supertonic Systematic Guide third chord Three chords tone Tonic chord Tonic triad triad of G
Page 62 - G is taken up again, and through it passage is made back to E minor, the original key, again. Thus the main centre of the principal key is supplemented by subordinate centres ; the different notes of the key being used as points of vantage from which a glance can be taken into foreign tonalities, to which they happen also to belong, without losing the sense of the principal key which lies in the background.
Page 62 - ... another; in other words, of the different degrees of musical effect produced by their juxtaposition. The bearings of the more simple of these relations were first established, and then those of the more remote and subtle ones, till the way through every note of the scale to its allied keys was found. In the meanwhile groups of chords belonging to foreign keys were subtly interwoven in the broader expanses of permanent keys, and the principle was recognised that different individual notes of a...
Page 18 - If there is a Minor Ninth in any chord , that Ninth will be the flattest note...
Page 4 - As Dominant harmony appears in the various forms of Triads, Seventh chords , Ninth chords (either Major or Minor) , Diminished Seventh chords and Diminished triads , Attendant chords may appear in the same forms, as illustrated in Fig.
Page 18 - •In every Fundamental chord , the leading note is the sharpest note to be found.