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Chapter One STYLE AND LANGUAGE
Chapter Two STYLE AND SETTING
Chapter Three STYLE AND PLOT 7 5
5 other sections not shown
achieve actions aesthetic distance Ardella artistic authorial become blended called central conflict climax coherence complex concrete Crane create D. H. Lawrence dark dialogue Donald Barthelme dramatic elements emotional Ernest Hemingway experience eyes face feel fiction writers figurative language final first-person Gatsby Grand Central Terminal hand Harry Hemingway Herman Hesse his/her human imply internal J. G. Ballard James John Hawkes living looked major character major character's meaning moved narrative narrator never Nina objective passage perhaps plot pogonophore point of view present reader reality reveal s/he scene Scott Fitzgerald sense sentence setting short story smile snow someone specific stage stared stood story or novel story's style choices Suggested symbolic techniques things third-person tion Twenty-six Horses voice waiting walked watched William Eastlake William Faulkner William Gass window word groups writer writer's voice