How Typography Works: And why it is Important |
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alphabet appearance ascenders Baudin black letter bold Braine-l'Alleud calligraphy capitals Carolingian century characters Charles Bigelow classification colour constellation Contemporary continuous reading contrast between thick copy culture Cursive David Kindersley Didones double spread Eric Gill Excoffon Faber face False friends forms France French Frutiger Galba Garaldes Giambattista Bodoni Glyphics graphic designer grid handwriting handwritten Humanists illustrations italic Jan Tschichold keyboard l'attentat Latines layout legibility letterforms Letters slate cut ligatures line of type Lineales lining figures literacy London lower-case Lund Humphries majuscules manuscript margin ment minuscules modern newspaper Nicolas Jenson Old-style figures optical corrections paper Paris photocomposition phototypesetting printer printing production punctuation marks reading situations roman S.H. De Roos Sans-serif Scripts serifs slab-serifs space strokes style subeditor textmatter Thibaudeau thicks & thins titles type design type-manufacture typefaces typesetting typewriting typographic palette typography Upper-case vertical visual editing width words writing written communication x-height Zapf