Hungarian Cinema: From Coffee House to Multiplex

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Wallflower, 2004 - Performing Arts - 258 pages

Hungarian cinema has often been forced to tread a precarious and difficult path. Through the failed 1919 revolution to the defeat of the 1956 Uprising and its aftermath, Hungarian film-makers and their audiences have had to contend with a multiplicity of problems. In the 1960s, however, Hungary entered into a period of relative stability and increasing cultural relaxation, resulting in an astonishing growth of film-making. Innovative and groundbreaking directors such as Miklós Jancsó ( Hungarian Rhapsody, The Red and the White), István Szabó ( Mephisto, Sunshine) and Márta Mészaros ( Little Vilma: The Last Diary) emerged and established the reputation of Hungarian films on a global basis. This is the first book to discuss all major aspects of Hungarian cinema, including avant-garde, animation, and representations of the Gypsy and Jewish minorities.

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Contents

Introduction
1
Revolution Reaction and the Talkies
16
Quotas Foreigners and Coproductions
30
Copyright

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About the author (2004)

John Cunningham teaches Film Studies at Sheffield Hallam University and at the London Centre, University of Notre Dame, Indiana.

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