I'll Take You There: Pop Music and the Urge for Transcendence

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A&C Black, 1 set 2006 - 272 pagine
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The urge to connect with that which transcends our experience, be it a higher power, another person or some artistic ideal or aspect of nature, is one of the things that makes us human. People view the object of this quest, as well as what it means to achieve it, differently. Yet regardless of how it is understood, the urge to participate in or belong to something greater and more lasting than ourselves—a feeling born of an awareness of our mortality—is what defines us as spiritual beings. Though often dismissed as ephemeral or, worse, demonic, popular music has given voice to this quest for transcendence since its beginnings. Pop singers are rarely as outwardly spiritual as, say, their gospel counterparts; they're forever pointing beyond themselves, though, be it to some better future, some higher ideal, or to some vision of deliverance. Fontella Bass's "Rescue Me," the Four Tops's "Reach Out (I'll Be There)," Jimmy Cliff's "Many Rivers to Cross," Afrika Bambaataa's "Looking for the Perfect Beat," and U2's "I Still Haven't Found What I'm Looking For" are but a handful of popular recordings from the past few decades that express a longing for something more. What, other than transcendence, is Jimi Hendrix talking about in "Purple Haze" when he shouts, "'scuse me, while I kiss the sky"? Or Van Morrison, in "Caravan," when he implores us to crank our radios and sail away with him into the mystic? Heard in the right light, secular and even carnal records have the power to speak to transcendental concerns, galvanizing their historical and cultural moments. Regardless of their spiritual leanings, all of the subjects discussed in this book (including Public Enemy, Madonna, Sleater-Kinney, Tricky, Johnny Cash, Nine Inch Nails, Moby, Marvin Gaye, Eminem, Polly Harvey, Bruce Springsteen and Sly & the Family Stone) make music that expresses a basic striving for transcendence. Artists' stories and personalities inform these discussions, but only in as much as they illuminate the struggles and concerns that run through their music. I'll Take You There is a beautifully written, wide-ranging and illuminating examination of some of the most potent popular music ever recorded.

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I'll take you there: pop music and the urge for transcendence

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Freelance music journalist Friskics-Warren here considers the interaction between popular music and the search for fulfillment, surveying the careers of 30 artists who have articulated their ... Leggi recensione completa


Want to Take You Higher
Of Restlessness
Sinead OConnor Buddy and Julie
Nine Inch
The Stooges the Sex Pistols PiL
Spearhead the Mekons and Public
Sly the Family Stone Bikini Kill
Epilogue Hungry Heart
Selected Discography

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Informazioni sull'autore (2006)

Bill Friskics-Warren has written about popular music for the New York Times, Newsday, the Village Voice, the Washington Post, No Depression, the Oxford American and Rock &Rap Confidential, among other publications. He currently is music editor for the Nashville Scene and previously was a lecturer at Vanderbilt University Divinity School. He also is the coauthor of Heartaches by the Number, a well-received volume of critical essays about country music's 500 greatest singles that was published by Vanderbilt University Press and the Country Music Foundation Press in 2003.

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