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Moral and Emotional Elements in Musical Taste
The Familiar in Music
The Romantic Agony in Music I
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admired already artist ballad ballet beauty Beethoven Berlioz bist's Bizet Brahms century certainly character Chopin chords chromatic colour composer contemporary death Debussy Dichterliebe dominant seventh dramatic dream duet E. T. A. Hoffmann effect Eichendorff emotional example expression fact Faust feeling Fidelio folk-song France French music German Gluck Gounod harmony Heine Heine's Hoffmann Hugo Wolf human ideal imagination influence instinctive intellectual interest Italian kind later letters Liebe Liszt literary lyrical major melody Mendelssohn Meyerbeer Meyerbeer's minor Morike Morike's Mozart musician mystery mystical natural never Nietzsche Novalis opera opera comique orchestral Paris Parsifal passion perhaps phrase pianist piano sonata poems poet poetry postlude Prokofiev rhythm Ring romantic Rossini Russian scene Schumann Scriabin sense settings Siegfried simply songs spirit style successful suggests symphony taste theatrical tion Tristan Verlaine Verlaine's voice Vyacheslav Ivanov Wagner Wagnerian Weber whole Wolf writing written wrote