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The VisualityVisibility of Holocaust How Trauma Disappears
Holocaust and Image The Selfreflexive Partnership
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American Indian Holocaust argue atrocity images authenticity Barthes becomes Bilder Buffalo Bill Burns camera camps chapter characterizes claim Claude Lanzmann context craft critical critique culture daguerreotypes death depicting dialectic discourses documentary film documentary images Dorst empty engage erase evince explore Farocki's film's film’s filmic filmmakers footage forever gaze genocide genre highlights history and power horror ideological image's imagery imagination implicated importantly inseparable intertitle invisible invoke Ken Burns Lanzmann literally look marathon film memory museum narration narrative Native American Nazi nexus of history Night and Fog notion paradox past perspective photographic image polysemy potency potential meaning preoccupied problematic profound relationship representation representing the Shoah Resnais's rhetorical economy Schindler's List schizophrenia self-conscious self-reflexivity sense Shoah images simultaneously Sontag sort speak specific subjects sublimity survivors Susan Sontag throughout transparent trauma traumatic histories ultimately unrepresentability unspeakable viewer visibility visual rhetoric voyeurism West Wounded Knee writes Zelizer