Imagination in Robert Burton's "Anatomy of Melancholy" (1621) and in Renaissance Thought
GRIN Verlag, Jan 30, 2009 - 56 pages
Seminar paper from the year 2003 in the subject English Language and Literature Studies - Literature, grade: 2,7, University of Frankfurt (Main), course: Englische Prosa des 17. Jahrhunderts: Robert Burton und Sir Thomas Browne, 15 entries in the bibliography, language: English, comment: Double spaced, abstract: The word 'imagination' has and had various meanings as this extract from The Oxford English Dictionary illustrates: 1. The action of imagining, or forming a mental concept of what is not actually present to the senses [...]; the result of this process, a mental image or idea (often with implication that the conception does not correspond to the reality of things, hence freq. vain (false, etc.) imagination [...] 2. The mental consideration of actions or events not yet in existence a. Scheming or devising; a device, contrivance, plan, scheme, plot, a fancyful project [...] b. Impression as to what is likely; expectation, anticipation. [...] These are the definitions that existed in the Renaissance period. But as I am going to show in my essay with the example of Robert Burton's The Anatomy of Melancholy (1621), imagination played a more influential role during that period and was believed to have and had a big impact on different spheres of life. Of course, there was no homogeneous opinion about its influence. As Katherine Park notes, the debate over the force of imagination 'was complicated by the fact that the most ardent defenders of the power of imagination included both the most credulous - writers like Paracelsus who would believe any story - as well as the least superstitious - writers like Pomponazzi and Montaigne for whom the imagination provided a credible and natural explanation for some of the more far-fetched claims of popular magic and religion.' (Huet 14) So I will point out to what extent Burton's ideas about it correspond to the views of his contemporaries and also how far they are more influenced by tradition. I am going to start
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akademische Texte Anatomy of Melancholy ascribes attitude Babb 45 Babb 72 bestiality body books to nature brain Burton knows Burton seems Cardan cause cogitated common sense conception contemporary copulation Curing Powers Democritus demons desiring imagination devil disease doth Ellrodt Empedocles fancy fantasy foetus Force of Imagination Francis Bacon Frogs fuzzled GRIN Verlag Huet 14 Huet 15 Huet 21 humours images imagination and desire Imagination in Robert incubus influence the imagination influential irrational opinions Kocher Linda Schug Imagination magic maternal imagination Melancholy 1621 mental faculty mind monstrous births monstrous child Montaigne mother mother's imagination nevertheless objects Paracelsus phantasy philosophers physical nature physicians Pomponazzi power of imagination prodigious progeny Renaissance Thought GRIN Robert Burton Robert Burton's Anatomy Scientific Method seventeenth century signs sent sixteenth century species communicated spirits strange strong conceit supernatural T]he Thompson 131 Tillyard 89 turned from books Wier Wierus Witches and Magicians women word monster wound writers