Improvisation for the Theater: A Handbook of Teaching and Directing Techniques

Front Cover
Northwestern University Press, 1999 - Performing Arts - 412 pages
Here is the thoroughly revised third edition of the bible of improvisational theater.

Viola Spolin's improvisational techniques changed the very nature and practice of modern theater. The first two editions of Improvisation for the Theater sold more than 100,000 copies and inspired actors, directors, teachers, and writers in theater, television, film. These techniques have also influenced the fields of education, mental health, social work, and psychology.

Also available: Spolin's Theater Game File
 

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Improvisation for the theater: a handbook of teaching and directing techniques

User Review  - Not Available - Book Verdict

This new edition of a highly acclaimed handbook, last published in 1983 and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. Spolin, who died ... Read full review

Improvisation for the theater: a handbook of teaching and directing techniques

User Review  - Not Available - Book Verdict

This new edition of a highly acclaimed handbook, last published in 1983 and widely used by theater teachers and directors, is sure to be welcomed by members of the theater profession. Spolin, who died ... Read full review

Contents

IX
3
X
4
XI
4
XII
9
XIII
13
XIV
14
XV
15
XVI
16
CLXXXIV
202
CLXXXV
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CLXXXVI
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CLXXXIX
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CXC
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CXCII
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CXCIV
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CXCV
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XVII
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XVIII
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XIX
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XX
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XXI
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XXII
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XXVII
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XXVIII
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XXX
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XXXI
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XXXII
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XXXIII
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XXXIV
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XXXV
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XXXVI
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XXXVII
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XXXVIII
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XL
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XLI
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XLIV
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XLV
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XLVI
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XLVII
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XLIX
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L
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LI
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LII
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LIII
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LIV
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LVI
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LVIII
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LX
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LXII
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LXIII
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LXIV
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LXV
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LXVI
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LXVII
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LXVIII
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LXIX
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LXXI
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LXXII
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LXXIII
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LXXIV
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LXXV
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LXXVI
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LXXVII
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LXXIX
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LXXXII
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LXXXIII
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LXXXIV
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LXXXV
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LXXXVI
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LXXXVII
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LXXXVIII
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XC
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XCIII
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XCIV
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XCV
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XCVI
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XCVII
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XCVIII
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XCIX
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C
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CII
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CIV
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CV
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CVII
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CVIII
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CIX
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CXI
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CXII
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CXIII
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CXIV
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CXVI
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CXVII
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CXVIII
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CXIX
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CXX
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CXXI
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CXXII
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CXXIV
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CXXV
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CXXVI
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CXXVIII
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CXXIX
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CXXX
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CXXXI
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CXXXII
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CXXXIII
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CXXXIV
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CXXXV
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CXXXVI
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CXXXVII
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CXXXVIII
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CXXXIX
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CXLI
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CXLII
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CXLIII
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CXLVI
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CXLVII
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CXLVIII
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CL
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CLI
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CLII
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CLIV
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CLV
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CLVI
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CLVIII
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CLIX
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CLX
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CLXI
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CLXII
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CLXIV
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CLXV
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CLXVIII
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CLXIX
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CLXX
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CLXXI
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CLXXII
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CLXXIII
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CLXXIV
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CLXXVI
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CLXXVIII
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CLXXIX
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CLXXX
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CLXXXI
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CLXXXII
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CLXXXIII
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CXCVI
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CXCVII
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CXCVIII
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CXCIX
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CCI
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CCII
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CCV
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CCVI
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CCVIII
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CCIX
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CCX
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CCXI
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CCXII
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CCXIII
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CCXIV
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CCXV
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CCXVI
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CCXVII
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CCXVIII
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CCXIX
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CCXXI
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CCXXII
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CCXXIV
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CCXXV
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CCXXVI
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CCXXVII
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CCXXVIII
245
CCXXX
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CCXXXI
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CCXXXII
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CCXXXIII
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CCXXXIV
250
CCXXXV
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CCXXXVI
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CCXXXVII
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CCXXXVIII
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CCXL
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CCXLI
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CCXLII
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CCXLIII
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CCXLIV
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CCXLV
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CCXLVI
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CCXLVII
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CCL
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CCLI
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CCLII
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CCLV
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CCLVIII
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CCLIX
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CCLX
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CCLXI
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CCLXII
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CCLXIII
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CCLXIV
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CCLXV
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CCLXVI
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CCLXVII
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CCLXVIII
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CCLXIX
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CCLXX
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CCLXXI
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CCLXXII
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CCLXXVI
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CCLXXVII
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CCLXXVIII
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CCLXXIX
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CCLXXX
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CCLXXXII
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CCLXXXIII
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CCLXXXIV
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CCLXXXVI
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CCLXXXVII
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CCLXXXVIII
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CCLXXXIX
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CCXCI
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CCXCII
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CCXCIII
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CCXCV
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CCXCVII
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CCC
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CCCII
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CCCIII
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CCCIV
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CCCV
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CCCVI
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CCCVII
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CCCIX
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CCCXI
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CCCXII
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CCCXIV
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CCCXV
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CCCXVI
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CCCXVII
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CCCXXII
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CCCXXIII
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CCCXXIV
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CCCXXV
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CCCXXVII
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CCCXXVIII
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CCCXXIX
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CCCXXX
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CCCXXXI
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CCCXXXII
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CCCXXXIV
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CCCXXXVI
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CCCXXXVII
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CCCXXXVIII
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CCCXL
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CCCXLI
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CCCXLII
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CCCXLIII
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CCCXLIV
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CCCXLV
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CCCXLVI
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CCCXLVII
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CCCXLVIII
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CCCL
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CCCLI
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CCCLIII
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CCCLIV
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CCCLV
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CCCLVII
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CCCLVIII
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CCCLIX
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CCCLXII
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CCCLXIV
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CCCLXVII
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CCCLXIX
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CCCLXX
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CCCLXXIII
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CCCLXXVI
409
CCCLXXVIII
410
CCCLXXX
411
CCCLXXXI
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Copyright

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About the author (1999)

Viola Spolin, the originator of theater games, was introduced to the use of games, storytelling, folk dance, and dramatics as tools for stimulating creative expression in the 1920s while a student of Neva Boyd at Chicago's Hull House. During her years as a teacher and supervisor of creative dramatics there, she began to develop her nonverbal, nonpsychological approach. Her books have been translated into Swedish, German, and Portuguese. She died in 1994.

Paul Sills is Viola Spolin's son and the founding director of Chicago's Second City and of Story Theater. He is the coeditor of the third edition of Improvisation for the Theater.

Bibliographic information