In Search of Aesthetics for the Puppet Theatre |
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action actor adaptation aesthetics Allan Edwall Antigone arms art form artist audience balance Baptiste basic become begins behaviour body Braunschweig Brecht bunraku character characterisation clay Commedia Commedia dell'Arte conception counterweights created creative dance Debureau Decroux demands depicted direction director drama dynamics entire Etienne Decroux everything example executed experience expression eyes face feel figure figure's finger fondu glove glove-puppet hand head human idea important inclination individual institutional theatre intended interpretation Jean Vilar Jean-Louis Barrault Kapila Vatsyayan King Ubu light live-actor theatre manipulation Marcel Marceau marionette theatre Marionetteatern masks master material means Meschke's Michael Meschke mime move movement natural Odysseus pantomime papier mache person play portrayed possible problem production puppet performance puppet player puppet theatre puppetry Ramayana rehearsal repertoire result rhythm rod puppet role solo spectator stage space style stylise technical theatre puppet theatrical traditional velocity walk weight word