In the Mood for Cheongsam
Editions Didier Millet, 2012 - Design - 159 pages
Spanning almost a century, this book examines the origins and development of the cheongsam in the social context of Singapore since its introduction from Shanghai, China, in the 1920s to the present day. The cheongsam, a one-piece Chinese ladies' dress that was the epitome of Chinese identity and feminine beauty during the middle decades of the 20th century. Initially seen as a symbol of a trendy, new, Republican China, shorn of the shackles of the imperial system, the cheongsam soon adopted intellectual overtones, and was favoured by the sophisticated and society's elite at elaborate social functions. When it was abandoned following the success of the Communist Party in China, the cheongsam survived in Singapore as the garment of choice for independent, educated women.
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Accession apprentice asymmetrical opening batik cheongsam Benjamin Sheares black cheongsam burn-out pattern capped sleeves Chan Choy Siong changshan Chen Cheong cheongsam tailor cheongsam with capped China Chinese women Chung May Khuen decorated Elizabeth Choy fabric fashion show floral cheongsam floral motifs flower buttons form-fitting Group photograph Hong Kong Ibid interview by Chung John Galliano Kelantan late Lee Kuan Yew length cheongsam Loke Wan Tho Master Ching Master Lok matching Mdm Chan Mdm Christina Lee Mdm Wu Chuen Mdm Zhuo modern Museum of Singapore Nancy Lim NationalArchives of Singapore nonyas OPPOSITE Oral History Centre Oral history interview Peranakan popular Priscilla Shunmugam R. H. Bruce Lockhart Raffles sarong kebaya sewing Shanghai Shanghai Tang Shanghainese tailors shoes silhouette silk cheongsam silk satin cheongsam Singapore women Singapore’s sleeveless cheongsam Straits Studio portrait synthetic tailors in Singapore TOP LEFT velvet Vivienne Tam wearer Wee Kim Wee Western frocks Western garments worn Wu Chuen Chuen