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Gharanas and their Ways of Voice Production
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7EPE Abdul Karim Khan achieved acquired aesthetic Agra alapi Alladiya Khan Amir appear artists attention beats beauty become belong called chapter cheej classical combination complete composition conception considered context continuity contrast criticism cycle described disciple discussion distinctive EALP earlier EBLP ECLP effect element emotional entirely example expression fact followers four function fusion gharana give given Gulamali guru Gwalior hand ideas important individual Indore Jaipur kans Khan's khyal kind Kirana laws limitations listener literary look manner meaning MOAE musicians natural necessary never observed one's original particular Patiala patterns performance phrases play possess possible practice present principle produce question reason remain respect rhythm sense singer singing slow stage style success sung swara and laya tans tempo tension thumri tradition variety various voice