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A C K A N D W H I T E F I G U R E
A M E R I C A N IND I A N PA I NT IN C P R I O R T
s E R P E N T S A N D D A N C E R s incised conch shell Temple Mound Okla
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aboriginal Anasazi Arizona art area art department art training attitudes Awa Tsireh Beatien Yazz became casein century Cochiti Pueblo color on paper competitions contemporary culture Dance dancers decorative developed dian dominant Dorothy Dunn earlier early economic elements European ex coll expressive Fe Indian School Figure formal forms Fred Kabotie Fritz Scholder Glenn Abbeloos Harvey Herrera Hewett Hohokam Hopi Hopi paintings Indian art Indian artists individual influence Institute kachina Kiowa painting Lockett Mexico Miss Dunn MNA collection modern Indian painting motifs murals Museum Navajo Navajo painting º º Oklahoma petroglyphs Philbrook Photo by Glenn Photo by Richard Plains Indian Polelonema pottery prehistoric proto-modern R. C. Gorman region representational Richard Dunatchick rock art San Ildefonso Pueblo Santa Fe Indian Santa Fe Studio Scottsdale secular painting self-taught Shije social Southwest Studio manner Studio painting style subject matter symbolic techniques tion tribal visual water color White Yazz Zuni