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The Purpose of Composition
Means of Representation
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achieved actual angle appear architectural arrangement artist attraction axis balance ceiling character chiaroscuro combination composition Contrapposto convergence created curved dark values degree desired dimensions direction draftsmanship effect egg tempera elements equal established expressive eye level factors figure focal center form description full value range function glass gradation greater half tone horizontal illumination impasto impressionism impressionistic intensity interest light and dark light and shade light value light-and-shade linear local color manner means medium method mode of form movement mural decoration nature object observer occult occur oil paint organization ornament painting panels perspective pictorial art pictorial depth pictorial enclosure pictorial space pigment produced pyramid rectangle relationship representation representational art result rhythm seen shadow planes shape structure suggestion swastika tesserae texture three-dimensional three-dimensional space tion Titian torial tural two-dimensional type of design underpainting units of design unity usually value contrasts variation vertical visibility visual weight