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Introduction to Modernity: Twelve Preludes, September 1959-May 1961
Limited preview - 1995
absolute abstract accumulation action active aesthetic aestheticism aleatory alienation already antinature artist beauty become begin boredom bourgeois bourgeoisie century classicism concept conflicts consciousness contradictions create creative critique culture defined devil dialectic discourse economic everyday everything external fetish France French groups harmony Hegel human idea ideology illusion images imitation important impossible individual irony knowledge labour language living maieutic Marx Marxist Max Jacob means modern moral movement myths nature neoclassicism never nihilism objects October Revolution Oedipus ontology passion philosophy pleasure pleasure principle pleonasm poetry political Popular Front possible praxis problems production proletariat pure question rational reality relations reveal revolution revolutionary romantic romanticism semantic field signals signs social practice socialist Socrates spontaneity Stalin Stalinist Stendhal structures style superseded supersession symbols technicity theory things thought tion Trans transformed truth unity utopianism words young