Inventing the Modern Artist: Art and Culture in Gilded Age AmericaSarah Burns tells the story of artists in American society during a period of critical transition from Victorian to modern values, examining how culture shaped the artists and how artists shaped their culture. Focusing on such important painters as James McNeill Whistler, William Merritt Chase, Cecilia Beaux, Winslow Homer, and Albert Pinkham Ryder, she investigates how artists reacted to the growing power of the media, to an expanding consumer society, to the need for a specifically American artist type, and to the problem of gender. |
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Contents
Acknowledgments | 1 |
Finding the Real American Artist | 19 |
The Culture of Display and the Taint | 46 |
Aestheticism Degeneration and the Regulation of Artistic | 79 |
Painting as Rest Cure | 120 |
Outselling the Feminine | 159 |
Winslow Homer and the American Business Spirit | 187 |
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Common terms and phrases
activity aesthetic American Art appearance artist associated beauty Beaux became become bohemian Boston cartoons century Charles Chase Chicago Club collection color construction contemporary course critics cultural decades decoration Design display Downes effect elite exhibition expression eyes fact feeling feminine figure force function Gallery George hand Harper's Henry History Home Homer ideal identity illustration individual Institute interest James John kind landscape late less living look Magazine male March masculine master material mind Monthly Museum nature never nineteenth noted painter painting Paris personality Photograph picture play popular portrait practice Press produced professional progress published represented Sargent scenes seemed sense social society spirit story studio style success suggest things Thomas thought Trilby turn University University Press Whistler Wilde women writer wrote York young
Bibliographic information
| Title | Inventing the Modern Artist: Art and Culture in Gilded Age America |
| Author | Sarah Burns |
| Edition | illustrated, reprint, revised |
| Publisher | Yale University Press, 1996 |
| ISBN | 0300078595, 9780300078596 |
| Length | 380 pages |
| Subjects | › › Art / American / General Art / History / General History / United States / 20th Century |
| Export Citation | BiBTeX EndNote RefMan |