Invisible architecture: experiencing places through the sense of smell

Front Cover
Skira, Oct 10, 2006 - Architecture - 223 pages
What does a church smell like? Or a movie theater? How conscious are we of the smells that surround us? The idea that places have an olfactory identity is not recent. Even in ancient architecture the dynamics of scents and their permeation were incorporated into the design. The 20th century, however, witnessed an increasing need to dry out spaces and sterilize the air in the effort to eliminate any olfactory perception in the regulation of indoor air quality. The resinous odor of the timber in Peter Zumthor's Swiss Pavillon at the Hannover Expo; the thinness of the oxygen-poor Blur Bar by Diller+Scofidio; the shape-rendering Wind Tunnel by Renzo Piano for Ferrari at Maranello-these are among the most recent signs that architecture is reclaiming it's invisible olfactory dimension to add a further experience to space. This original book maps out places and scents from around the world, in architecture throughout the ages, accompanied by expert "noses": celebrated architects, avant-garde artists and scientists who research perception.

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Contents

parate the Dwelling
19
Scatology
26
Emotional Marketing
90
Copyright

1 other sections not shown

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About the author (2006)

Anna Barbara is an architect and professor at Polytechnic of Milan. She has also taught at Kookmin University and the Techno Brain Master 21 in Seoul, Korea. Anthony Perliss is a Californian who now lives in Paris where he works as a graphic designer for a perfume manufacturer.

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