It Feeds Itself

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Last Gasp, 2003 - Art - 111 pages
Eric White's hyper-intensive, distortedly lucid paintings explore the shifting boundaries between beauty and horror. Developing out of the artist's fascination with the illusory properties and constructions of film, the paintings examine the varying layers of human perception by manipulating planes of focus and the reliability of form and colour. With work from four different galleries, this is a comprehensive collection of Eric White's career as a painter.
 

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Section 1
Section 2
Section 3
Section 4
Section 5
Section 6
Section 7

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