J R

Front Cover
Knopf, 1975 - Fiction - 725 pages
3 Reviews
At the center of this hugely comic tale of "free enterprise" America stands JR--an eleven-year-old capitalist, eagerly following the example of the grasping world around him. Operating through pay phones and post-office money orders, JR inadvertently parlays a shipment of Navy surplus picnic forks, a defaulted bond issue, and a single share of common stock into a vast paper empire embracing timber, mineral and natural gas rights, publishing, and a brewery. At once a novel of epic comedy and a biting satire of the American dream, JR displays the style and extraordinary inventiveness that has made Gaddis one of the most acclaimed writers of our time.

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User Review  - V.V.Harding - LibraryThing

It looks like I've given up on my second reading, which was undertaken because of the peculiarly inaccurately named Occupy Gaddis reading. It's very good and very funny and very painful and very long ... Read full review

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User Review  - Brian.McGovney - LibraryThing

Genre and literary fiction are different. After reading JR, Cloud Atlas, Zazen, and a few other books this year, I think I'm finally starting to learn a bit more about those differences. Consider (and ... Read full review

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About the author (1975)

William Gaddis was born in Manhattan, New York City in 1922. In Recognition of William Gaddis (1984) is a collection of essays supporting the view that Gaddis is the Herman Melville of the twentieth century. The comparison may prove justified, not only because of artistic similarities, but also because both writers suffered from years of neglect before achieving fame. Gaddis's novel The Recognitions (1955) baffled and angered most of its initial reviewers, but it has slowly, steadily attracted a growing number of appreciative readers willing to work through its more than 900 demanding pages. Its length and encyclopedic complexity caused some critics mistakenly to hail it as the American Ulysses, but Gaddis disclaimed much knowledge of James Joyce. His central figure, Wyatt, is a painter who finds his natural talent misdirected away from original creation toward the forging of old masterpieces. Scores of other characters appear, and almost all of them are also forgers, imposters, counterfeiters, and plagiarists, for The Recognitions is essentially a deeply religious work about the nature of reality and creativity. As if to make amends for the neglect of The Recognitions, most reviewers greeted Gaddis's second novel, JR (1975), with respectful attention. Although not a popular success, it won the National Book Award. Of Carpenter's Gothic (1985). William Gaddis died in 1998.

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