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21 Bedford Street artist asked Aunt Sarah beautiful better Billy breath caught characters child clever colour creature Daily Chronicle Daily Telegraph dark dear doctor door eyes face FELIX GRAS fiction FLORA ANNIE STEEL Gazette genius girl grave HALL CAINE hand Harold Frederic head heart Helen HENRY DUDENEY HENRY JAMES Hewitt human humour interest Jack looked Jack Raymond Jack's James's Jenkins knife live London looked round matter Molly morning mother never night novel once Pall Mall Pall Mall Gazette paused Porthcarrick Raymond realised ROBERT HICHENS SARAH GRAND seemed shoulders silently sofa Spotty STEPHEN CRANE stood stopped story suddenly tell Theo Theo's there's thing thought told took turned uncle uncle's understand Vicar violin vivid voice Volume what's WILLIAM HEINEMANN window woman ZANGWILL
Page 139 - ... in the morning thou shalt say, Would God it were even! and at even thou shalt say, Would God it were morning ! for the fear of thine heart wherewith thou shalt fear, and for the sight of thine eyes which thou shalt see.
Page 314 - In style, skill in construction, and general "go," it is worth a dozen ordinary novels. ' Black and White. — ' The novel, like all Mr. Norris's work, is an excessively clever piece of work, and the author never for a moment allows his grasp of his plot and his characters to slacken.
Page 307 - We have never come across a book that brought certain sections of American society so perfectly before the reader as does The Third Violet, which introduces us to a farming family, to the boarders at a summer hotel, and to the young artists of New York. The picture is an extremely pleasant one, and its truth appeals to the English reader, so that the effect of the book is to draw him nearer to his American cousins. The Third Violet incidentally contains the best dog we have come across in modern...
Page 314 - The appearance of Terminations will in no way shake the general belief in Mr. Henry James's accomplished touch and command of material. On the contrary, it confirms conclusions long since foregone, and will increase the respect of his readers. . . . With such passages of trenchant wit and sparkling observation, surely in his best manner, Mr. James ought to be as satisfied as his readers cannot fail to be.
Page 318 - ... as their sparkling humour, gay characterisation, and irresistible punning richly deserved — that it is no surprise to find Mr. Heinemann now issuing them together in one volume. Readers who have not purchased the separate volumes will be glad to add this joint publication to their bookshelves. Others, who have failed to read either, until they foolishly imagined that it was too late, have now the best excuse for combining the pleasures of two. ' THE PREMIER AND THE PAINTER BY I. ZANGWILL AND...
Page 325 - Mr. Harold Frederic has here achieved a triumph of characterisation rare indeed in fiction, even in such fiction as is given us by our greatest Gloria Mundi is a work of art ; and one cannot read a dozen of its pages without feeling that the artist was an informed, large-minded, tolerant man of the world.
Page 326 - BY KASSANDRA VIVARIA In One Volume, price 6s. The Daily Telegraph.— 'Perhaps never before has there been related with such detail, such convincing honesty, and such pitiless clearsightedness, the tale of misery and torturing perplexity, through which a young and ardent seeker after truth can struggle. It is all so strongly drawn. The book is simply and quietly written, and gains in force from its clear, direct style. Every page, every descriptive line bears the stamp of truth.
Page 320 - THE HEAVENLY TWINS BY SARAH GRAND In One Volume, price 6s. The Athenaeum. — ' It is so full of interest, and the characters are so eccentrically humorous yet true, that one feels inclined to pardon all its faults, and give oneself up to unreserved enjoyment of it. ... The twins Angelica and Diavolo, young barbarians, utterly devoid of all respect, conventionality, or decency, are among the most delightful and amusing children in fiction.
Page 322 - One of the most powerful and adroitly workedout plots embodied in any modern work of fiction runs through The Last Sentence. . . . This terrible tale of retribution is told with well-sustained force and picturesqueness, and abounds in light as well as shade.' The Morning Post — ' Maxwell Gray has the advantage of manner that is both cultured and picturesque, and while avoiding even the appearance of the melodramatic, makes coming events cast a shadow before them so as to excite and entertain expectation....