Jamaican Art Worlds: Encounters, Transformations and MetamorphosesUniversity of California, Berkeley, 2001 - 792 pages |
Contents
art worlds | 5 |
Introduction | 11 |
Curators Critics and Collectors | 261 |
Copyright | |
2 other sections not shown
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Common terms and phrases
abroad act of painting aesthetic African Archer-Straw art history art market art object artwork attempts avant-garde Barrington Watson Barry Watson becomes Berkeley Berkeley Bryan McFarlane Caribbean Cecil Cooper chapter collective collectors colonial constituted contemporary Jamaican context create creolization critics curator dancehall David Boxer dialogue diaspora discourse discussion dissertation Douglas Reid Eating Paint Edna Manley educated encounter exhibition experience fact Fanon feel function gallerists Gene Pearson homeland idea identity imagery images institutions interaction interview 2000 Intuitives island Jamaican art world Jamaican artists Jamaican culture Jamaican society kind Kingston Kingstonian living look mainstream meaning mediators metropole Michael Manley museum narratives National Gallery Nicholas Morris one's person Petrona political post-colonial presence produce question relationship representation ritual role sell sense situation social sort space speak specifically structures studio things transformation various Veerle Poupeye viewer visual Western