James Joyce and the Aesthetics of the Grotesque
GRIN Verlag, 2010 - 74 pages
Thesis (M.A.) from the year 2006 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Stuttgart (Institut fur Literaturwissenschaft: Neure Englische Literatur), language: English, abstract: With regard to early criticism, James Joyce continued to feed his reputation as artiste maudit with Ulysses and crown it with Finnegans Wake. The reception of both books, as that of Joyce's preceding works, was rather hostile . For the popular press, Joyce proved through Ulysses to have specialized in a "literature of the latrine," rejecting the book as "chaotic" and "totally unmoral" - expressions of disapproval which quite obviously situate Ulysses in the tradition of the grotesque. But Joyce should carry his experimental achievement even one step further: Finnegans Wake (1939) is one of the notoriously most difficult literary works of modernism, "supplying scholars, critics and theorists simultaneously with what is both a Pandora's box and a cornucopia of stimulants" . Lacking any kind of traditional concepts of structure, it has an inconsistency and a vagueness that make it hard to pin down a coherent plot or get a definite notion about the characters who undergo frequent transformations . Yet the "carnival of linguistic vivisection" and the numerous transformations are precisely the features of the "Wake" which grant it its "humor of the incongruous and the grotesque" . A grotesque style of writing was taken up by many modernist authors, such as Franz Kafka, Elias Canetti, or Djuna Barnes, to name only a few. Joyce insofar differs from them that his writing cannot be called grotesque per se; nevertheless the grotesque is an important component of Joyce's two major works, wherefore the aim of this paper is to examine these grotesque tendencies and paradigms in Ulysses and Finnegans Wake. Due to the structural vagueness of the latter, the investigation of narratological aspects will be mainly restricted to Ulysses, in which for ex"
What people are saying - Write a review
We haven't found any reviews in the usual places.
THE GROTESQUE A SHORT OVERVIEW 6 2 1 The Estranged World 9 2 2 The Renaissance and Language 12 2 3 The Spirit of Carnival 14 3 JA...
ULYSSES A DIONYSIAN CELEBRATION OF DUBLIN 22 4 1 Grotesque Features of the Main Characters 24 4 1 1 Stephen Dedalus The Alienate...
FINNEGANS WAKE THE GROTESQUE CHAOSMOS OF ALLE
Other editions - View all
absurd aesthetic mode alienation ALP's animal artist aspect Ästhetik attitude Attridge background of Joyce's Bakhtin beauty becomes Bloom and Stephen Book of Kells carnival carnivalesque chapter chimera Circe classical aesthetics clothes concept context culture Cyclops dead death definition dream Dublin Duerr Earwicker Elias Canetti episode European background example eyes fact Finnegans Wake Freud Furthermore Fuß Gargantua Groteske Grotesken grotesque body grotesque elements grotesque feature Grotesque Tendencies Howth Castle Ibid idea important intertextual Irish italics James Joyce Joyce's writing Kayser kind Klaus language Leopold Bloom Lestrygonian literary Mallam McElroy metempsychosis Milesi modern modernist mother nighttown notion novel Odyssey Ordnung Paddy Dignam Parrinder perspective Peters physical piece of art Pietzcker points Proteus Rabelais reader Reichert Renaissance satiric Scholl sense shape shifting Shem shows Stephen Dedalus Tendencies and Paradigms traditional transformed triggers Ulysses Ulysses and Finnegans uncanny Universität Stuttgart urine wherefore words