James Lee Byars: Leben, Liebe und Tod
In 1956, James Lee Byars rented a sod farm for a midnight, full moon exhibition of his abstract figure sculptures; guests viewed the work from sleds pulled over snow. In 1959, he abandoned durable materials for paper and fabric. In 1965, a nun performed his A 1,000-Foot Chinese Paper at the Carnegie International. The wondrous story of James Lee Byars begins in 1932 and ends in 1997, and its unique synthesis of Conceptual art, Minimalism, and Fluxus reflects an unending striving for beauty and perfection. The story passes by way of Japan, a place where Byars lived for many years, and where he combined the formal and symbolic aspects of Noh theater and Shinto rituals with elements of Western science, art, and philosophy, developing an appreciation for the transient, ceremonial character of performance as an essential quality of his art. Over his lifetime, he was known for works characterized by an extreme simplicity of form and material that simultaneously appeared astonishingly luxurious. Life, Love, and Death presents a critical review of Byars' oeuvre and traces his development as an artist from his formative period in Japan to his later years in New York--ranging from his performances and works on paper and fabric devoted to the theme of life, to his splendid late sculptures in gold, marble, and velvet which deal with death as the embodiment of perfection.
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EPIPHANIEN DER SCHÖNHEIT UND DES WISSENS
DER KÜNSTLER MIT DER MASKE
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actions American artist artist's Ausst.-Kat./exh Ausstellung Autobiography Beuys black Book Brussels Byars's Byars's work COURTESY GALERIE MICHAEL Dance Death of James Detroit documenta Dorothy Miller early ESTATE OF JAMES exhibition Film first Four GALERIE MICHAEL WERNER Golden Tower GRANIT great Hatje Cantz installations Jahren James Lee Byars Japan Japanese JAPANPAPIER Joachim Sartorius Joseph Beuys Judson Dance Theater Kierkegaard Köln KÖLN/NEW YORK Kunsthalle Künstler Kyoto later life light Ludwig Wittgenstein made make Malerei marble Marie-Puck Broodthaers means MICHAEL WERNER Modern Art MoMA Archives Moon Museum Ludwig Museum of Art Museum of Modem New York objects painting PATH OF LUCK people Perfect Death Perfect Kiss Performance performative performed PFAD DES GLÜCKS philosopher Philosophical Roland Barthes Sachiko schwarzen sculptures Selbstporträt self-portrait silk sixties space sphere stones T. S. Eliot TANTRISCHE FIGUR Theater time TITEL title Two Presidents unserer UNTITLED Viola Michely VOLLKOMMENE weißen Werk white wrote years Yvonne Rainer