Javid-Nama (Rle Iran B)

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Routledge, 2011 - Reference - 151 pages
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Sir Muhammad Iqbal (1873-1938) was not only amongst the leading political figures of his time, but regarded by many as the spiritual father of Pakistan and a great champion of the reform movement of modern Islam. He was also a poet, in both Urdu and Persian.

The recurrent theme of his poems is the infinite potentiality of man, as partner with God in shaping the destiny of the universe. As an ardent Muslim, Iqbal saw the realization of mankind‚e(tm)s future in a union of Islamic peoples, unfettered by the bonds of separate nationhood, fully liberated from the chains of imperial domination.

The Javid-nama, commonly acknowledged as his greatest work, develops this theme within the frame-work of the ‚e~Ascension‚e(tm) story. In imitation of the Prophet of Islam, the poet soars through the spheres, encountering on his heavenly journey many great figures of history with whom he converses. The resemblance to Dante‚e(tm)s Divine Comedy is obvious.

 

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Contents

Introduction
Translation
Dramatis personae
Prayer
Prelude in heaven
Prelude on earth
The sphere of the moon
The sphere of mercury
The sphere of venus
The sphere of mars
The sphere of jupiter
The sphere of saturn
Beyond the spheres
Notes
Bibliography
Copyright

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About the author (2011)

Dr. David Mould is Professor Emeritus of Media Arts & Studies at Ohio University (U.S.A), a freelance journalist, and international media trainer. His background is in European, 19thcentury American, and documentary film history. His research has focused on media in conflict from the First World War to the late 20thcentury and on post-Soviet media in Central Asia. Brought up in Britain, he worked as a newspaper reporter and television news producer before moving to the United States. He is the author of three books and articles for publications such as Times Higher Education and The Christian Science Monitor.

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