Jennie Gerhardt: a novel

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Schocken Books, 1982 - Fiction - 367 pages
2 Reviews
"For Dreiser, "Jennie Gerhardt" was a good career move. Now, with this Pennsylvania edition, we know that it is also a great novel."--"New York Times"

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User Review  - krbrancolini - LibraryThing

Decades before he became the acclaimed author of "An American Tragedy," Theodore Dreiser wrote two controversial novels based on the lives of his older sisters, Emma and Mame. The first of these ... Read full review

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User Review  - Myhi - LibraryThing

Dreiser's stories are pretty much the same, even though using different names/cities. And they all are... somehow dramatic works, ending pretty bad. As I was young enough to spend the time... tried ... Read full review

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About the author (1982)

Theodre Dreiser was born into a large and impoverished German American family in Terre Haute, Indiana, in 1871. He began his writing career as a reporter, working for newspapers in Chicago. Pittsburg, and St. Louis, until an editor friend, Arthur Henry, suggested he write a novel. The result was Sister Carrie, based on the life of Dreiser's own sister Emma, who had run off to New York with a married man. Rejected by several publishers as "immoral," the book was finally accepted by Doubleday and Company, and published-over Frank Doubleday's strong objections-in 1900.
Numerous cuts and changes had been made in the lengthy original manuscript by various hands, including those of Arthur Henry, Dreiser himself. Later, when given to mythologizing his career, Dreiser was to suggest that the publishing history of Sister Carrie had been one of bowdlerization and suppression only; but the publication of his unedited manuscript by the University of Pennsylvania Press in 1981 shows that Dreiser approved and even welcomed Henry's and Jug's alterations. (Whether the book was ultimately improved or compromised by their liberal editing is a fascinating and as yet unresolved issue among Dreiser scholars.) Sister Carrie sold poorly, but writers like Frank Norris and William Dean Howells saw it as a breakthrough in American realism, and Dreiser's career as a novelist was launched.
The Financer "(1912) and "The Titan "(1914) began his trilogy about the rise of a tycoon, but it was" An American Tragedy "(1925), based on newspaper accounts of a sensational murder case, which brought him fame. The novel was dramatized on Broadway and sold to Hollywood. Newly influential and affluent, Dreiservisited Russia and was unimpressed, describing his observations in the skeptical "Dreiser Looks at Russia" (1928). In later years, however, he became an ardent (through unorthodox) Communist, writing political Treatises such as "America Is Worth Saving" (1941) His artistic powers on the wane, Dreiser moved to Hollywood in 1939 and supported himself largely by the sale of film rights of his earlier works. He dies there, in 1945, at the age of seventy-four.

"From the Paperback edition.

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