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A Note on the References
Ruskin and Nature
Ruskin and the Picturesque
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aesthetic architecture argument artist associated Athena attitude become began Bible chapter Clavigera cloud colour convey creative criticism darkness death Divine drawing economics emotional Evangelical existence expression external faculty Faido faith Gallery geology George Landow Gothic Greek Guild of St Hesperides human ideas imagination important J. M. W. Turner John James John Ruskin kingship labour landscape later laws lecture light and shade meaning Millais mind Modern Painters moral mountains Museum natural fact natural world object opposite orders of truth Oxford painting perceived perception picture picturesque poetry principle problem Prout qualities R. G. Collingwood religion religious Romantic Rose scenery scheme sense significance sketches social society spirit St George Stones of Venice symbolic theme things thought Tintoretto tion Titian true Turner typical beauty unity Unto this last vision visual visual perception water-colour word Wordsworth writing