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An Introduction Robert Greenlee
Strong and Weak Alternation in Baroque
Source Fingerings in Elizabethan virginal Music
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3/2 measure 4/4 measures allegro appoggiatura articulation techniques B-flat Bach Baroque Baroque music bass line bass staff beat of measure beat pattern Caccini cadence cadential chord coloraturas composer composition discussion dissonant dominant downbeat downbeat of measure dynamic eighth embellishment emphasized entire measure eu.t example Finck fingering fugue Gigue Gottlieb Muffat groups half of measure harmony Hermann Finck important indicated Italian J.S. Bach keyboard left hand legato Maffei manual measure 53 measure 66 melismatic melismatic articulation melody meter metrical shift minor mordents movement Muffat music theory Musica Britannica neighbor notes note values Oberwerk ornaments pedal point piece played player Positiv Pratorius quarter notes repeated notes repetition rhythmic right hand rubato section seven set-together singing sixteenth notes slur Stainer strong and weak strong measure strong/weak structural style Syntagma musicum tempo third beat throat Thurston Dart tion toccata tonic trill vocal technique weak beats weak measure Zacconi