Tom Stoppers's play "Jumpers" is both a high-spirited comedy and a serious attempt to debate the existence of a moral absolute, of metaphysical reality, of God. Michael Billington in "The Guardian" described the play succinctly: "The new Radical Liberal Party has made the ex-Minister of Agriculture Archbishop of Cantebury, British astronauts are scrapping with each other on the moon, and spritely academics steal about London by night indulging in murderous gymnastics: this is the kind of manic, futuristic, topsy-turvy world in which Stoppard's dazzling new play is set. And if I add that the influences apparently include Wittgenstein, Magritte, the Goons, Robert Dhery, Joe Orton, and The Avengers, you will have some idea of the heady brew Stoppard has here concocted." The protagonist incude an aging Professor Of Moral Philosophy -- trying to compose a lecture on "Man -- Good, Bad or Indifferent" -- while ignoring a corpse in the next room; his beautiful young wife, an ex-musical comedy Queen, lasciviously entertaining his university boss down the hall; her husband's specially trained hare, Thumpers; and a chorus of gymnasts, Jumpers.
What people are saying - Write a review
LibraryThing ReviewUser Review - quantum_flapdoodle - LibraryThing
This may be one of the weirdest things I've read from Stoppard. It is definitely absurdist, with larger than life characters and dead bodies being pretty much ignored by most of the characters. I do ... Read full review
LibraryThing ReviewUser Review - DavidWineberg - LibraryThing
In Jumpers, Tom Stoppard was humiliating the pompous civilization that overanalyzes, deconstructs, and builds ridiculous rules and structures instead of dealing with reality. The line "Aetheism is ... Read full review
Other editions - View all
Narrative Truth and Historical Truth: Meaning and Interpretation in ...
Donald P. Spence
Limited preview - 1984
Dramatic Discourse: Dialogue as Interaction in Plays
No preview available - 1998