Kaleidoscope Notes: Writing Women's Music and Organizational Culture

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Rowman Altamira, 1998 - Music - 191 pages
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Striving to express the lived experience of women's music at The Club, Stacy Holman Jones has created a text that is itself performative, and the reader cannot resist playing a starring role. Her evocative narrative slips in and out of prose, dialogue, and poetry. Field notes and song lyrics are staged as inseparable parts of the events of social meaning occurring between ethnographer and field site, between reader and text.
Jones is haunted by the specters of Reliability and Validity, motivated by the goals of multivocality and multiple truths, and driven by the music. She is also driven by the mystery and complexity of women's music; a category which is impossible to capture, tame, or pin down. In exploring dynamics of race and gender in the club as an organization, Jones refuses to reduce the richness of her observations to simplistic, categorical statements.
This innovative ethnography is an important move toward turning the postmodern critique into a lyrical and complex expression of social experience.
 

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Contents

IV
13
V
25
VI
45
VII
73
VIII
99
IX
111
X
133
XI
155
XII
179
XIII
187
XIV
191
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Page 10 - Ships at a distance have every man's wish on board. For some they come in with the tide. For others they sail forever on the horizon, never out of sight, never landing until the Watcher turns his eyes away in resignation, his dreams mocked to death by Time. That is the life of men. Now, women forget all those things they don't want to remember, and remember everything they don't want to forget. The dream is the truth. Then they act and do things accordingly.

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About the author (1998)

\Stacy Holman Jones is assistant professor in the department of communication at the University fo South Florida.

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