Kara Walker: My Complement, My Enemy, My Oppressor, My Love
Philippe Vergne, Sander L. Gilman, Walker Art Center, Whitney Museum of American Art
Walker Art Center, 2007 - Art - 418 pages
Kara Walker is among the most complex and prolific American artists of her generation. Over the past decade, she has gained international recognition for her room-sized tableaux, which depict historical narratives haunted by sexuality, violence and subjugation and are made using the paradoxically genteel eighteenth-century art of cut-paper silhouettes. Set in the antebellum American South, Walker's compositions play off of stereotypes to portray, often grotesquely, life on the plantation, where masters, mistresses and slave men, women and children enact a subverted version of the past in an attempt to reconfigure their status and representation. Over the years, the artist has used drawing, painting, colored-light projections, writing, shadow puppetry, and, most recently, film animation to narrate her tales of romance, sadism, oppression and liberation. Her scenarios thwart conventional readings of a cohesive national history and expose the collective, and ongoing, psychological injury caused by the tragic legacy of slavery. Deploying an acidic sense of humor, Walker examines the dialectics of pleasure and danger, guilt and fulfillment, desire and fear, race and class. This landmark publication, which is sure to win international design awards, accompanies Walker's first major American museum survey. It features critical essays by Philippe Vergne, Sander L. Gilman, Thomas McEvilley, Robert Storr and Kevin Young, as well as an illustrated lexicon of recurring themes and motifs in the artist's most influential installations by Yasmil Raymond, more than 200 full-color images, an extensive exhibition history and bibliography, and a 36-page insert by the artist.
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1995 cut paper 1997 watercolor 2001 mixed media 2003 colored pencil Aaron Douglas African American artist and Sikkema Bank Art Collection canvas board Catalogue Coffee and Chocolate Collection Ellen Collection Jean-Pierre Collection Michael Collection Suzanne Collection Walker Art colored pencil Contemporary Art Courtesy the artist Creme culture Dakis Joannou Deborah Eisenberg depicted Deutsche Bank Deutsche Bank Art Ellen and Richard Gallery gouache graphite on paper images Jean-Pierre and Rachel Joan Salke Justin Smith Purchase Kara Walker Kevin Young Lewis Manilow Marcus Wood master media and paper Michael and Joan Milk Minneapolis narrative Negress Notes 1995 Notes 1995 collage paper 11 paper 9 paper and tempera paper on canvas pencil on paper primitivism Private collection Rachel Lehmann racist Richard Sandor Sambo sexual Sikkema Jenkins silhouette slave slavery Smith Purchase Fund Suzanne and Howard tempera on canvas thev Untitled 2003 colored visual voung Walker Art Center watercolor on paper York fig