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Karagiozis: Culture and Comedy in Greek Puppet Theater
Linda Myrsiades,Kostas Myrsiades
Limited preview - 2015
ance apprentice Arab boy Athens Attaboy audience bakeman baker baking become Bravo Caraveli carnival carnival spirit comedies context Crying dialectic elite esma expression father female folklore force Giorgos Haridimos going goose Greece Greek cities Haridimos's Hatzatzari Hatziavatis Hellenic heroic texts Herzfeld heterogeneity Hey ya Hirschon Hits honor Hristos ideology improvisation interactive Kara Karagiozena Karagiozis performance Karagiozis player Karagiozis's Karagoz Katharevusa Kiurtsakis Kiurtsakis's klephts Kolitiris Koran Kostas lamb Laughs Laughter Listen m'boy male master meaning Mollas Moreover Myrsiades Nion Nionios nitwit numskull official and unofficial oral Ottoman participants pasha performative event Piraeus Pitsikokos Plaka play popular culture puppet rebetes rebetika represents role Romeic rural screen sexual Skor Skorpios social songs status tell theater Theodoropulos tradition Turkish Uncle George unofficial culture values Vangos Veligekas Veziris village Wait What's wife women Yeah
Page 16 - The unfinished and open body (dying, bringing forth and being born) is not separated from the world by clearly defined boundaries; it is blended with the world, with animals, with objects. It is cosmic, it represents the entire material bodily world in all its elements. It is an incarnation of this world at the absolute lower stratum, as the swallowing up and generating principle, as the bodily grave and bosom, as a field which has been sown and in which new shoots are preparing to sprout.