KeatsAndrew Motion's dramatic narration of Keats's life is the first in a generation to take a fresh look at this great English Romantic poet. Unlike previous biographers, Motion pays close attention to the social and political worlds Keats inhabited. Making incisive use of the poet's inimitable letters, Motion presents a masterful account. "Motion has given us a new Keats, one who is skinned alive, a genius who wrote in a single month all the poems we cherish, a victim who was tormented by the best doctors of the age. . . . This portrait, stripped of its layers of varnish and restored to glowing colours, should last us for another generation."—Edmund White, The Observer Review "Keats's letters fairly leap off the page. . . . [Motion] listens for the 'freely associating inquiry and incomparable verve and dash,' the 'headlong charge,' of Keats's jazzlike improvisations, which give us, like no other writing in English, the actual rush of a man thinking, a mind hurtling forward unpredictably and sweeping us along."—Morris Dickstein, New York Times Book Review "Scrupulous and eloquent."—Gregory Feeley, Philadelphia Inquirer |
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Keats
User Review - Book VerdictAs far as pure biography goes, Motion's is a good place to start. He considers the life and work of Keats from a political perspective. While Bright Star only hinted at the politics of the time, Keats ... Read full review
KEATS
User Review - KirkusWhether illuminating Keats's famous lines or unearthing long-occluded facts about the most ill-starred of English Romantic poets, this superb biographical study displays an unusually sensitive ... Read full review
Contents
Isabella lines 4956 Keatss draft | 248 |
Hyperion Book II lines 16790 Keatss fair copy | 310 |
From The Eve of St Agnes Keatss draft 3401 | 340 |
Ode to Psyche Keatss draft 3835 | 383 |
Ode on a Grecian Urn printed in the Annals of the Fine Arts | 390 |
Ode to a Nightingale Keatss draft 3969 | 396 |
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Common terms and phrases
Abbey admired already appeared asked Bailey beautiful became become began beginning brother Brown called Charles Clarke close continued death described developed Dilke early Endymion Examiner fact Fanny feelings felt final friends George Gittings give hand Haydon Hazlitt hope human Hunt idea imagination immediately instance Italy John Keats Keats's kind knew later leaving less letter lines live London look means meeting mind months nature never once original pain poem poet poetic poetry political possible published reached realised reasons recently referred remained returned Reynolds says seemed sense Severn Shelley sister sometimes sonnet soon spirit Street suffering suggests Taylor tell things thought told took turned Walk wanted weeks women Wordsworth writing written wrote young