Keyboard Music Before 1700Alexander Silbiger Psychology Press, 2004 - 409 pagina's Keyboard Music Before 1700 begins with an overview of the development of keyboard music in Europe. Then, individual chapters by noted authorities in the field cover the key composers and repertory before 1700 in England, France, Germany and the Netherlands, Italy, and Spain and Portugal. The book concludes with a chapter on performance practice, which addresses current issues in the interpretation and revival of this music. |
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Andrea Gabrieli Baroque bass Bauyn Bernardo Pasquini Book Buxtehude Byrd Byrd's Cabanilles Cabezón cadence cantus firmus canzonas Chambonnières chant chorale chords chromatic composers composition contrapuntal counterpoint d'Anglebert dance durezze early keyboard edition embellishment EXAMPLE Facsimile fantasias figuration fingering French Frescobaldi Froberger Froberger's fugal fugue Gabrieli galliard genre German Girolamo Girolamo Frescobaldi hand harmonic harpsichord harpsichord music imitation improvisation intabulations Italian Johann keyboard instruments keyboard music later liturgical London Louis Couperin Magnificat manuscript measures melody Merulo meter modern motives musicians notation note values octave opening organ music organist ornaments Parthenia Pasquini pavan pedal performance practice pieces pitch plainsong played player polyphonic preludes published registration repertory rhythmic ricercars sarabande Scheidt SCKM seventeenth century Silbiger sixteenth century solo sources strain style suites surviving Sweelinck tablature tempo tenor texture thematic theme Thurston Dart tientos toccatas Trabaci tradition tunes variation versets vocal voices vols volumes