King Richard IIIKing Richard III is one of Shakespeare's most popular and frequently-performed plays. Janis Lull's introduction to this new edition, based on the First Folio, emphasises the play's tragic themes - individual identity, determinism and choice - and stresses the importance of women's roles in the play. It also underscores the special relationship between Richard III and Macbeth, demonstrating that the later tragedy re-examines issues raised in the earlier one. A thorough performance history of stage and film versions of Richard III shows how the text has been cut, rewritten and re-shaped by directors and actors to enhance the role of Richard at the expense of other parts, especially those of the women. The notes define the play's language and ideas in terms easily accessible to contemporary readers. |
Contents
THE PLAY | 51 |
Textual analysis | 209 |
The Qonly clock passage | 220 |
The Plantagenet family tree | 222 |
224 | |
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Common terms and phrases
Anne Antony Sher audience battle blood Bosworth BRAKENBURY brother Buckingham Capell Catesby characters Cibber's CITIZEN Clarence Clarence's compositor copy cousin crown curse daughter dead death Dorset doth dream DUCHESS DUCHESS OF YORK Duke Earl Earl of Richmond edited editors Edward IV Enter RICHARD Exeunt Exit father fear female triads Folio foul papers friends gentle GHOST Gloucester grace Grey hath heart heaven Henry VI Holinshed horse house of Lancaster killed King Edward King Richard live London look Lord Hastings Macbeth madam manuscript Margaret married McKellen MESSENGER mother noble Norfolk Plantagenet play PRINCE EDWARD Qq o SD Qq subst quartos Queen Elizabeth Ratcliffe Richard the Third Richmond Rivers royal Royal Shakespeare Company scene SECOND MURDERER soul speak stage directions Stanley Steevens tell thee thou Tower Tragedy Tyrrel uncle unto villain William Shakespeare withal word York