L. Annaeus Seneca on Benefits: Addressed to Aebutius Liberalis

Front Cover
BiblioBazaar, 2009 - History - 248 pages
0 Reviews
This is a pre-1923 historical reproduction that was curated for quality. Quality assurance was conducted on each of these books in an attempt to remove books with imperfections introduced by the digitization process. Though we have made best efforts - the books may have occasional errors that do not impede the reading experience. We believe this work is culturally important and have elected to bring the book back into print as part of our continuing commitment to the preservation of printed works worldwide.

What people are saying - Write a review

We haven't found any reviews in the usual places.

Other editions - View all

About the author (2009)

Seneca was born in Spain of a wealthy Italian family. His father, Lucius Annaeus Seneca (see Vol. 4), wrote the well-known Controversaie (Controversies) and Suasoriae (Persuasions), which are collections of arguments used in rhetorical training, and his nephew Lucan was the epic poet of the civil war. Educated in rhetoric and philosophy in Rome, he found the Stoic doctrine especially compatible. The younger Seneca became famous as an orator but was exiled by the Emperor Claudius. He was recalled by the Empress Agrippina to become the tutor of her son, the young Nero. After the first five years of Nero's reign, Agrippina was murdered and three years later Octavia, Nero's wife, was exiled. Seneca retired as much as possible from public life and devoted himself to philosophy, writing many treatises at this time. But in 65 he was accused of conspiracy and, by imperial order, committed suicide by opening his veins. He was a Stoic philosopher and met his death with Stoic calm. Seneca's grisly tragedies fascinated the Renaissance and have been successfully performed in recent years. All ten tragedies are believed genuine, with the exception of Octavia, which is now considered to be by a later writer. Translations of the tragedies influenced English dramatists such as Jonson (see Vol. 1), Marlowe (see Vol. 1), and Shakespeare (see Vol. 1), who all imitated Seneca's scenes of horror and his characters---the ghost, nurse, and villain.

Bibliographic information