The Early Tudor Court and International Musical Relations

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Ashgate Publishing, Ltd., 2004 - Music - 330 pages
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The histories of foreign musicians, performances, scores and treatises which run through the body of this volume need to be placed firmly within the broader story of foreign relations during the fifteenth and sixteenth centuries, the contextual framework which eventually became a general interaction with European production.
 

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Contents

Introduction
1
International Events and Musical Exchanges
31
Building a Foreign Musical Establishment at the Early Tudor Court
63
AngloContinental Relations in Music Manuscripts
117
English Music Theory and the International Traditions
173
Conclusion
219
Appendix B
235
Appendix C
285
Index
317
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About the author (2004)

Theodor Dumitrescu received his doctorate in musicology at the University of Oxford in 2004 with a thesis on Anglo-Continental Musical Relations, c. 1485-1530. After holding a research fellowship at the Centre d'A0/00tudes Superieures de la Renaissance (Tours), he was appointed researcher in musicology at Utrecht University in the Netherlands in 2006, where he directs the CMME Project for electronic publication of early music editions. His research interests cover many aspects of analysis, theory, and history in European music of the fifteenth and sixteenth centuries.

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