Landscape Painting and Modern Dutch Artists |
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able admiration appear artist atmosphere beautiful become Bosboom canvas century changed CHAPTER character charm churches clouds colour comes Constable critic detail drawing dreams Dutch early effect expression fact feeling figure give given happy heart Holland human ideal ideas imagination imitation important impression individual influence inspired interest Israels Italy James Maris knowledge land landscape leaves light lines living look manner masters material Mauve means mind mystery nature never object observer original painters painting passed past perfect period PLATE poetry poets produced realism render scene seems seen shown shows side skill spirit strong subjects suggestive technical tells things thought tion trees true truth ture Turner Weissenbruch Whistler whole William Maris wonder writes
Popular passages
Page 96 - I gazed— and gazed— but little thought What wealth the show to me had brought: For oft, when on my couch I lie In vacant or in pensive mood, They flash upon that inward eye Which is the bliss of solitude; And then my heart with pleasure fills, And dances with the daffodils.
Page 89 - For I have learned To look on nature, not as in the hour Of thoughtless youth : but hearing oftentimes The still, sad music of humanity; Nor harsh nor grating, though of ample power To chasten and subdue. And I have felt A presence that disturbs me with the joy Of elevated thoughts; a sense sublime Of something far more deeply interfused. Whose dwelling is the light of setting suns. And the round ocean and the living air, And the blue sky, and in the mind of man...
Page 87 - On that green light that lingers in the west: I may not hope from outward forms to win The passion and the life, whose fountains are within.
Page 144 - There was the Door to which I found no Key; There was the Veil through which I might not see: Some little talk awhile of ME and THEE There was — and then no more of THEE and ME.
Page 104 - The sea is calm tonight. The tide is full, the moon lies fair Upon the straits: — on the French coast the light Gleams and is gone; the cliffs of England stand, Glimmering and vast, out in the tranquil bay.
Page 82 - Were slunk, all but the wakeful nightingale ; She all night long her amorous descant sung ; Silence was pleased : now glow'd the firmament With living sapphires ; Hesperus that led The starry host rode brightest, till the moon, Rising in clouded majesty, at length Apparent queen unveil'd her peerless light, And o'er the dark her silver mantle threw.
Page 106 - But man dieth, and wasteth away : Yea, man giveth up the ghost, and where is he ? As the waters fail from the sea, And the flood decayeth and drieth up : So man lieth down, and riseth not. Till the heavens be no more, they shall not awake, Nor be raised out of their sleep.
Page 91 - Persians' grave, I could not deem myself a slave. A king sate on the rocky brow Which looks o'er sea-born Salamis; And ships, by thousands, lay below, And men in nations; - all were his! He counted them at break of day And when the sun set where were they?
Page 87 - O Lady ! we receive but what we give, And in our life alone does Nature live; Ours is her wedding-garment, ours her shroud ! And would we aught behold, of higher worth, Than that inanimate cold world allowed To the poor loveless ever-anxious crowd, Ah ! from the soul itself must issue forth A light, a glory, a fair luminous cloud Enveloping the Earth...
Page 178 - I stand and look at them long and long. They do not sweat and whine about their condition, They do not lie awake in the dark and weep for their sins, They do not make me sick discussing their duty to God...
Bibliographic information
| Title | Landscape Painting and Modern Dutch Artists |
| Author | E. B. Greenshields |
| Edition | 3 |
| Publisher | Baker and Taylor, 1906 |
| Original from | Harvard University |
| Digitized | Jun 27, 2007 |
| Length | 229 pages |
| Export Citation | BiBTeX EndNote RefMan |