Lars Von Trier
University of Illinois Press, 2010 - Всего страниц: 214
Scandinavia's foremost living auteur and the catalyst of the Dogme95 movement, Lars von Trier is arguably world cinema's most confrontational and polarizing figure. Willfully devastating audiences, he takes risks few filmmakers would conceive, mounting projects that somehow transcend the grand follies they narrowly miss becoming. Challenging conventional limitations and imposing his own rules, he restlessly reinvents the film language. The Danish director has therefore cultivated an insistently transnational cinema, taking inspiration from sources that range from the European avant-garde to American genre films. This volume provides a stimulating overview of Trier's career while focusing on the more recent work, including his controversial Gold Heart Trilogy (Breaking the Waves, The Idiots, and Dancer in the Dark), the as-yet unfinished USA Trilogy (Dogville and Manderlay), and individual projects such as the comedy The Boss of It All and the incendiary horror psychodrama Antichrist. Closely analyzing the films and their contexts, Linda Badley draws on a range of cultural references and critical approaches, including genre, gender, and cultural studies, performance theory, and trauma culture. Two revealing interviews that Trier granted during crucial stages of Antichrist's development are also included.
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CINEMA AS PERFORMANCE
The Student Films
The Europe Trilogy
Dogme95 and The Idiots
Breaking the Waves and Dancer in the Dark
The USA Trilogy Minus One
Comedy Automavision and The Boss of It All
Antichrist An Epilogue
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35mm Running actors aesthetic American Anthony Dod Mantle Antichrist audience auteur Automavision becomes Bess Bess’s Björk Björkman boss Breaking the Waves Brechtian camera Cannes Cast character cinema Color Production companies comedy culture Dancer Danish Film Danmarks Radio Dark director documentary Dogme film Dogme’s Dogville Dogville’s Element of Crime emotion Epidemic ethical Europe Trilogy European father figure film’s Filmbyen filmmaking final Fisher frame gangsters genre German Gold Heart Grace Hartmann Hjort Hollywood horror film Icelandic Idiots interview Jan’s Jean-Marc Barr Jensen Jørgen Kingdom Lars von Trier Mam’s Law Manderlay Manderlay’s manifesto minutes Language narrative narrator Niels numbers performance Peter Aalbæk Peter Aalbæk Jensen play political postmodern provocation role rules sadomasochistic scene Schepelern self-reflexive Selma’s sequence sexual shot Stoffer television theme there’s things tion trauma Trier explained Trier Screenplay Trier’s films Udo Kier Vørsel woman Yeah Zentropa Entertainments