Laughing Matters: The Paradox of Comedy

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Univ of Massachusetts Press, 1986 - Literary Criticism - 151 pages
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This book explores the paradoxes of theatrical comedy which emerge both in comic theater and in efforts to discern its meaning. Scott Cutler Shershow views comedy not only as the classical "mirror of nature," but also as a tradition of performance whose familiar conventions reflect our own opposing visions of human life: criticism or acceptance of the world, cynicism or optimism, derision or forgiveness. The very act of evaluating comedy also reveals its paradoxical nature, as critics become caught up in what Shershow calls comedy's "constantly shifting perspective." In examining the basic building blocks of comic nature--plot and character--Shershow discovers a pattern of critical contradiction that ironically defines the paradox of comedy itself. He then looks at classical comic plays by Plautus, Machiavelli, and Middleton, focusing on the ironic tensions with the themes of money and lust. Then, seeking a still deeper truth within the nature of performance itself, Shershow analyzes such plays as Euripides' Helen, Beckett's Endgame, Mayakovsky's Mystery Bouffe, and Shaw's Man and Superman. Here he finds a transcendence of irony, as optimism and reconciliation emerge as genuine alternatives to ironic pretense.
 

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Contents

Character
3
Plot
15
From Irony to Transcendence
25
Comedy and Commerce An Ironic Partnership
35
The Plautine Success Story
37
Machiavellian Humor
53
Middletons Trick
66
Comedy and Faith A Transcendent History
87
The Play and the World
89
Medieval Mastery
103
Mayakovskys Mystery
116
The Shavian Solution
124
Notes
139
Index
149
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About the author (1986)

Scott Cutler Shershow studied literature at New College, Oxford, and Harvard University. He is an editor at Addison-Wesley Publishing Company.

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