Le Compagnon Du Tour de France - Scholar's Choice Edition

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Scholar's Choice, Feb 17, 2015 - 262 pages
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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.

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About the author (2015)

George Sand began life as Aurore Dupin, the daughter of a count and a dressmaker. Educated both on her aristocratic grandmother's estate and in a Parisian convent, at 18 she married Casimer Dudevant, a provincial gentleman whose rough temperament was the opposite of her own, and from whom she obtained a separation several years later. At 31 she moved to Paris, where she changed her name and plunged into the bohemian world of French romanticism. Frequently dressed in men's clothing, she participated actively in literary debates, cultural events, and even the revolution of 1848. Sand was friend and correspondent with many of the major artists and writers of her age, including Balzac, Flaubert, and Liszt. Her love affairs with the poet Musset and the composer Chopin were the stuff of legend, chronicled in her own Story of My Life. Sand's immensely popular novels ranged from sentimental stories of wronged women, to utopian socialist fictions, such as her masterpiece in Consuelo, 1842, to explorations of pastoral themes written when she retired, late in life, to her estate in Berry. Though frequently dismissed as overblown or too sentimental, Sand's fiction has recently undergone a revaluation, emerging as an influential body of women's writing. As both a writer and an intellectual personality, Sand is a central figure in nineteenth-century French cultural life. George Sand died in 1876

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